Kevin at West Hollywood Book Fair

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 I'm very lucky to be speaking at the West Hollywood Book Fair this week. I've attended the event as an audience member before (and nearly collided with Gore Vidal on my way to a panel) and am always impressed with both the talent they attract and the depth of the Los Angeles literary community I witness. Plus I used to live not far from WeHo and despite coming now from the vastly-superior-and-way-too-proud-of-it Northern part of the state, I'm quite fond of Los Angeles. A few days in Sunset traffic washed down with a Diddy Riese ice cream sandwich feels like a homecoming. 

Many thanks to my friend Tyson Cornell, chief of the amazing Rare Bird Literary Promotions (who is turning literary events into rock concerts to great effect) who recommended and Corey Ruskin, the big boss at the Book Fair, who invited me. 

If you're in the neighborhood, look for a very midwestern looking fellow in glasses. I'm on at noon and my panel is called "The Help." 

Say hi. 

 

BookTour, my company, is looking for two summer interns…

Everything you need to know right here…

The
internship is technically unpaid but we fully intend to shower said
interns with free books, gift baskets, good will and career
advice/introductions.

And we're more than happy to sign any form which gives you university
or academic  credit or write a recommendation if you do good work. Just
tell us where and how.

The ideal BookTour intern will…

  • Be really into books, authors and related literary
    culture/nerdiness. 
  • Have strong research, communication and organizational skills.
  • Be able to take a project and run with it
  • Be available 10-20 hrs a week from June-September.
  • Can live anywhere (we're based in San Francisco) but have their own
    computer and a high speed connection.

Does this sound like you or someone you know? Tell us!

kevin@booktour.com

Required Reading: “Metered Models, Branded Dummies and Untrained DJs”

Interview with Oscar Villalon, Publisher of McSweeney’s

Oscar

Recently I spoke with Oscar Villalon, my former editor at the San Francisco Chronicle, now Publisher of McSweeney's. I wrote up the interview for The Rumpus some time later.

As publisher of McSweeney's, Oscar was one of the driving forces behind "San Francisco Panorama", the gigantic, beautiful newspaper experiment that came out earlier this week.

Our conversation happened before that or else I would have asked about it. Oscar summed it up pretty nicely in this radio interview, if you're curious.  

Anyway, we talked mostly about reading, writing and books. Enjoy! 

"You could easily argue, yes, they’re the most
important thing going on in our culture, is fine literature. Is fine
non-fiction, and fiction, and poetry, etc., and essays. Because of
that, it does carry a disproportional weight. So, I find it
disheartening when, for example, when we read a review by someone who’s
very critical of a big shot author, and it’s a sound review, and the
criticism I get back from our readers is, “Well, this person has never
written anything important, so why should I listen to them?” Now, they
didn’t bother—you read the review based on what’s presented. Who the
person is, what their bona fides are, is meaningless. Who cares? If
what they’re saying is true, it’s true. I don’t care if the guy’s a
parking lot attendant or if he’s got a doctorate from Harvard, what’s
the difference?"

Oscar Villalon

Required Reading: “Monty Python, Old Growth, and Gender Blindness”

Me in Publisher’s Weekly: On Virtual Book Touring

I was recently asked to contribute to The Viral Issue of Publisher's Weekly where I had a few thoughts on virtual touring and the sharing of ancillary book data.

It all comes down to serving the dedicated book fan. Today, that fan has almost unlimited options online, yet they choose to spend their time and money on books. We should use the Web to empower that passion. So far, however, the book industry has remained tied to the idea that everything a publisher touches should be as proprietary as the words inside a book—cover art, author photos, cataloguing taxonomies and, despite our company’s efforts, tour information. Publishers place these bits of ephemera on their own Web sites or in their office databases and are sometimes unwilling to share them freely. It’s rightfully theirs, of course. But if GoodReads, Book Glutton, BookTour or whoever wishes to build a company around bibliophilia, around the act of proclaiming a love of reading and books, why not find a way to assist?

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