Practical Classics Tour Wrap Up:

Road-Ahead

After 10 months, 16 cities and many thousands of miles, my touring for my book Practical Classics has come to an end. It has been a grueling but immensely rewarding year one I would never trade. But as Andy Richter told Conan O'Brien at the end of the Can't Stop tour.

"Touring is summer camp. And you can't be at summer camp forever. Life calls." 

It's unlikely I'm ever going to be in a band. Nor ejected rudely from the host chair at The Tonight Show. So this is the closest I'll come to going "on tour." And since book tours for authors are now a rare thing unless your last name is Tan, Chabon or New York Times Bestseller, I count myself very lucky. 

This doesn't mean I'm going to looking the other way if a great speaking opportunity comes up (I've got a few on deck for next year already). I'll just be turning my focus to the next thing.

 There will be next book. I'll tell you more about that early next year when the announcement rolls off the line. But I'm very excited to share it with you. I think you'll get a different kick of kick out of this one but a big kick all the same. 

Until then I'll be taking a few weeks off to rest and spend time with friends and family. 

Thank you to everyone who read Practical Classics, invited me to come talk about it, argued and wrestled with it, encouraged me to keep going. It meant everything to have you along on this adventure with me. 

See you on the next one. 

At the Idea Festival 2012

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This weekend, I'm going to be at the Idea Festival in Louisville, KY. I'll be covering the festival on social media and as an informal advisor. Also covering the Festival will be Cariwyl Hebert of Salon97, writer Jeff Rider and Max Linsky, co-founder of Longform, all people I love. 

Our friend Baratunde Thurston will be throwing down

This is going to be great. Ideas, great people, a part of the country I haven't explored. I can't wait. It's going to be tough falling asleep tonight. And we have an early flight. 

Kevin’s Guide to SXSW Interactive.

This March will be my 11th year attending South by Southwest Interactive. My friend Dave Weich is attending the conference for the first time. He asked me to put together a little list of recommendations and thoughts then kindly reposted it at his company site. I've put here at well. 

When attending SXSW, a few things to remember…

I. Appointments
If there’s anyone you want to have a business (or even social) meeting with, try to schedule both for your conference before arriving in Austin. The inclination will be to say, “Oh, we’ll figure it out or run into each other when we get there.” Resist that inclination. SXSW has grown to T-Rex-sized proportions. There’s a good chance that Big Bird could be keynoting at the conference and you’d never see him.

II. Scheduling
It’s good to plan out beforehand what panels you’d like to go to, but I recommend a) leaving room for at least one session outside of your area of interest/comfort zone per day. I’ve found that those turn out to be the most surprisingly valuable; b) Don’t kill yourself to get to the keynotes. Keynotes can be very hit-and-miss, where you either get a Jane McGonigal, who knocked it out of the park two years ago, or the CEO of Spotify, who last year talked about everything except when Spotify is coming to America, which is why everyone was in the room to begin with. Also, keynotes are recorded six ways to Sunday and have overflow rooms, so “getting a good seat” is largely a waste of time and effort; c) Be prepared to junk your plans if you’re in a fabulous conversation, hear about something cool, etc. That element of surprise is SXSW’s best asset.

III. Where You Are
Now that SXSW is ginormous, I’ve concluded that it’s better to have six, in-depth, worthwhile conversations than forty-five, two-minute, shallow conversations. Practically, this means that if you’re in a fabulous dialogue with someone and it’s time to go to the next session, forget the next session. If you’re into something good, that’s where you’re supposed to be.

IV. Nighttime
The official conference nighttime parties are huge, loud affairs. If you thrive in that environment, go for it. But, overall, I’ve found them pretty useless for meeting anyone, as you’re just screaming to be heard. You’re better off going to dinner with the fifteen interesting people you met that afternoon. Also, the unofficial conference calendar is great stuff. Two events that are completely unique to SXSW (and therefore should not be missed) are 20×2 and Fray Cafe. Two of the oldest events at SXSW, which attract a dedicated, influential crowd.

V. Your Health
Take good care of yourself. You’ll almost certainly be sleep-deprived and eating meals at odd hours. I therefore try to pack multivitamins and hand sanitizer, walk as much as possible, and workout at least once. Think of it as a marathon on your body, not a sprint, even if its only five days. Because you’ll be zonked when it’s over.

Kevin at West Hollywood Book Fair

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 I'm very lucky to be speaking at the West Hollywood Book Fair this week. I've attended the event as an audience member before (and nearly collided with Gore Vidal on my way to a panel) and am always impressed with both the talent they attract and the depth of the Los Angeles literary community I witness. Plus I used to live not far from WeHo and despite coming now from the vastly-superior-and-way-too-proud-of-it Northern part of the state, I'm quite fond of Los Angeles. A few days in Sunset traffic washed down with a Diddy Riese ice cream sandwich feels like a homecoming. 

Many thanks to my friend Tyson Cornell, chief of the amazing Rare Bird Literary Promotions (who is turning literary events into rock concerts to great effect) who recommended and Corey Ruskin, the big boss at the Book Fair, who invited me. 

If you're in the neighborhood, look for a very midwestern looking fellow in glasses. I'm on at noon and my panel is called "The Help." 

Say hi. 

 

SXSW 2009 coverage unleased. Via Nostalgia…

We've got about 6 Ulysses worth of notes to get through for SXSW 2009. Time's a wastin'

Above is the "Staying Inspired after SXSW", 2008 version, I've done on the last day of the conference since 2007. Idea is to get folk thinking about how to make the inspiration you feel at SXSW a lasting part of your year instead of an interruption from regularity.

Since this sort of session is a) specifically about inspiration and big thinking and b) is the last day of the conference following 5 days of sleeplessness and self-abuse, I've always wanted it to be fun, loud, unconventional, and memorable because of it.

What you see/hear is Europe's "The Final Countdown" (completely on purpose) and me dressed as Brother Love (same). What you miss is a bunch of us running through paper, ala a high school sports team and a group hug to the dulcet strains of "Wind Beneath My Wings."

To the winners go the schmaltz. And my cohorts (CC Chapman, Carla Borsoi and David Dylan Thomas) played right along.

Do people stay inspired? I've received feedback to that effect. But like any hour of Ra Ra, results come from execution. What do you do with your enthusiasm? Which is a microcosm of the message of the session itself.

Mostly I think the session is there to end the conference on a high note, which may sound functional, instead of world changing. But that doesn't bother me.

More on this year's panel to come.

Kevin is home from SXSW…

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And in the midst of perhaps 18 years of catch up–emails, bills, business card scanning and filing and about 98,000 pages of handwritten notes for which I blame my friend C.C. Chapman. He recommended a smart conference attendee arm themselves only with a moleskine and pen–no dead batteries, desperate searches for power supply or walking all week in semi-permanent hunch.

All true except I now have volumes of scrawlings to process and give life to beyond stenography. I feel like Henry Darger without a tiny Chicago apartment to hide out in and have my genius discovered years after my death.

I will happen, with effort, diligence and handfuls of speed mixed with applesauce. Lots of applesauce.

In the meantime, I wrote an assessment of SXSW Music for PopMatters and will be speaking of a bit of a mess I got myself into in this week's Huffington Post column. After that, count on SXSW posts for a while that will not depend on you actually having been there.

And thank you for your support.

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