Taking the Radio Reins:

Under the advice of my friend Eric Rice, I quit Radio wallowing and downloaded iPodderX for Mac, an application for gathering podcasts of radio shows great and small. Only a few public radio shows are podcast (generously listed at Public Radio Feeds.com which Eric also pointed me too) but I have a feeling this will change now that KCRW in Santa Monica, one of the country’s premeire public radio stations, has begun offering podcasts of nearly all of their non-music programs.

It isn’t the answer to my prayers that Radio Time promised, but it’s a fine start.

Radio Dramas:

I seem to have spoken too soon. On Tuesday, I programmed Radio Time to record 12 different shows. As of this morning, after seven failures, it successfully recorded one. Among the many excuses it gave me were…

1. "Radio Time Does Not Recognize this File Format" (A Windows Media file).

2. "User Stopped Recording" (User stopped the strem from KTUI in Missouri after it had played for 2:45 minutes to record Marketplace, a 30 minute show).

3. "Incomplete Recording" (?)

Also Radio Time does not recognize my login name and password when I use a Safari or Firefox broswer. Further, even though I’ve checked "quiet record" as a setting, it still turned itself on this morning at 9 to record "This American Life," waking both Suzan and I as well as the cat.

I put all these grievances in an email to Radio Time and set it off. I heard back from them this morning asking for my login name and password which just seemed weird. Should they begin with some more elemental questions like "What operating system are you using?" or "Is the computer parked next to a space heater? And because I get obsessive about nonsense like this, I called their support line. It rang and rang until the operator told me that if I’d like to make a call, I should hang up and try again. After I did that, she had a beach in Idaho to sell me.

Did I mention that the first line of text on the support page is "Support for Radio Time is easy"? Perhaps I should have.

The Radio I’ve Been Waiting For:

I love radio. Crazy wack funky love it. I probably listen to 4-5 hours of radio a day just by having it on while I work or when I’m driving. When I’m traveling, few things make me happier than flipping the dial and seeing what color the locals have painted the ether.

Yet most of the time I’m simply too busy to schedule planting myself in front of a radio for 2 hours. Many shows like “This American Life” archive all their shows online but that’s not much of an improvement. It’s an hour spent in front of the computer instead of the radio when I remember to check their website for new episodes. Which I don’t.

The phrase “TiVo for Radio” has been getting a lot of play lately thanks to the coming of Podcasting. But podcasting doesn’t quite solve my problem because I’m not looking to carry Adam Curry’s musings around on my iPod. I’m looking for the radio I already listen to, packaged and portable for when I want to listen to it.

Enter Radio Time. I read about it in Wired whose cover story this month is titled “The End of Radio.” Radio Time is a subscription service which, for $50 a year, will let you browse pretty much every radio station in the country, pick the programs you like and record them in MP3 format. It uses the station’s own live stream for recording and iTunes for pickup so you have to have a DSL line and a computer you leave on.

I’ve loaded up my grocery list of favorite programs. Also nothing has recorded yet and hence, I’m waiting to make a fanfare-cornonation-“Today is a New Day” announcement, Radio Time looks mighty promising. It could be exactly the radio I’ve been hoping for.

The ‘River’ Runs On:

Like I’ve mentioned before, The Bright River is a theatrical experience you absolutely cannot afford to miss. And now, you may not have to. I just got a got from Bright River HQ that the show had been extended for another few weeks. You can catch the unforgetable hip-hip-meets-Dante’s Inferno-meets-a-string-quartet every Wednesday night until March 16th at the Oakland Metro (right near Jack London Square).

Tickets (12-35$) are available at In House Tickets while they last. These video clips will give you an idea of what you’ll be in for.

Again, if you can, please see this show. You will not be sorry. In fact, you’ll be nothing short of amazed.

Space Time Slip:

Wierd. I’m watching the Critic’s Choice Awards on the west coast three hours after Dave has blogged them on the east coast. I’ve also got them delayed on TiVo which I think has seized the space time continuum all together and landed me in this neverworld where the present has already happened and I’m delaying the past by pressing pause.

Huh?

Anyway, here are a few of my observations:

1) Eric McCormack can wear the hell out of a silk tie but can’t host a show to save his life. Bring on Chris Rock! He’ll be the only thing that saves the Oscars.

2) Since AFI decided to give 46 year old Tom Hanks a “lifetime” achievement award, I have ignored anything going by this name. Therefore Tom Cruise getting one is off my radar too. He’ll be 43 in July. That’s “a lifetime?”

3) Regina King got to present an award! Someone give this woman a ton of money, a few awards and my phone number. I can’t believe I left her off the “When All Else Fails” list of actors who made a movie better simply their presence in it. I point you to Jerry Maguire, How Stella Got Her Grove Back and Enemy of the State to name only a few. Man, I love me some Regina King.

4) Andy Garcia presented Best Picture? Gravitas sure but how about a little pizazz?

5) I’d be fine with Sideways winning the Best Picture Oscar if this awards ceremy is any indication of future events. Although I’d really like Martin Scorcese to win a Best Director nod like he did this time. Ain’t he due?

R.I.P Susan Sontag:

Susan Sontag, one of giants of public intellectualism, has died at 71. The cause is not yet known. Sontag was the author of thirteen books including what many consider the definitive essays on illness, photography, and “camp” culture. She’s been awarded the National Book Award, the National Book Critics Circle Award and a MacArthur “genius” fellowship.

I became acquainted with Sontag’s work in graduate school when my thesis advisor recommended I read her book On Photography for my study of depression-era tabloid photographer Weegee. On Photography may be the single best book ever written on the subject of taking pictures and is so compulsively readable that I have gone back to it several times since just for fun. I haven’t read any of her other books, but always meant to.

Sontag had a reputation for being headstrong, uncompromising and a bit of an old world literary snob. Though I didn’t car for that side of her, her intellect, diligence and commitment to a life of the mind were second to none. I will miss her.

The Bright River:

So last night, The Hub (which I am on the advisory board of), hosted an exclusive preview salon for “The Bright River”, a play by storyteller/beatbox flautist Tim Barsky which will begin a 6-week run at Traveling Jewish Theater beginning Dec. 1. “The Bright River” is a hiphop/klezmer urban retelling of Dante’s Inferno with Tim on flute, a killer chello player named Jess Ivry and Kid Beyond (who, after Fray Day, is probably sick of seeing me) on beatbox. Tim and company mingled amongst the guests, then converged at the front of my living room for a short interview (done by me) and then performed a few sections of the play.

Friends, it rocked the house, a hypnotic, swirling memorizing dream of a dystopic America. Imagine if Neil Gaiman rewrote Dante’s Inferno for the stage and had Dr. Dre and Yo Yo Ma collaborate on the soundtrack.

It runs 6 weeks in December and January and I’m headed there the first week. I highly encourage you to as well. You will be nothing short of amazed.

’20’ Stories:

Let’s say you’re in Austin, TX this weekend. Let’s say you’d really like to spend your evening doing something other than eating queso and avoiding lacivious Dell salesman. Let’s say you’d rather be both entertained and stimulated.

Go to 20×2 this Saturday. And stop listening to me now.

How to Host a Media Swap:

I mentioned last week that I went to huge NerdFest which doubled as my friend MJ’s housewarming party. At some point that afternoon, I looked up and noticed that six guests, laptops open, were sitting in a circle passing CD’s and DVD’s back and forth while loading up their harddrives with new media of every conceivable variety, all in the great sharing spirit of the web. As one guest named Alex told me, there is nothing even remotely illegal about this. So long as no was charged admission for entry (no one was), a ticket price for participation (they were not), copying media provided by the rightful owner amongst friends is as clean as a linen napkin.

Several of us then thought this would make a good party theme. The name “Media Swap” was tossed about and stuck.

When I find time, I’m going to host the next “Media Swap.” You can beat me to it if you like by following these simple guidelines.

Kevin’s Thoughts on How to Host a Media Swap

1. Invite 3-6 friends over. Any less and the swap pool is too incestuous. Too many more and it becomes choatic and loud.

2. Swap participants should be midway between best friends and total strangers. You want enough diversity in the room so everyone is getting exposed to a range of music, film, links whataveyou. But you don’t want the group to be so disparate that you spend the entire first hour explaining what klezmer or who Mira Nair is.

3. Everyone should bring a laptop of relatively new vintage with updated music and DVD copying software. Anyone who does not have a laptop should bring a handful of blank CDs and DVDs.

4. Everyone should bring a half-dozen pieces of media (either CDs, DVDs, interesting web sites, links or RSS feeds).

5. Everyone should bring a notebook and pen to jot down who gave them what. It’s bad manners to gank someone’s media and not thank them later.

6. Generally, media swaps start on their own. Someone opens a laptop, someone else get snoopy and looks over their shoulders and off we swap. If everyone’s sitting around wondering what to do, get kindergarden on their asses. Make everyone stand up, say their name and do show-and-tell on what they brought. Then let them pair off and start swapping.

7. Try and get at least one piece of media from everybody. You’re here to get exposed to new things and this ain’t the friggin grade school cafeteria. Be cooler than thou on your own time.

8. Swaps can finish quickly or slowly depending on what everybody brought. Figure 5 swappers, with 6 pieces each, a swap will last an hour.

9. As the host, supply food and drink. This is tiring business which needs replenishment.

10. After swap protocol depends on your swappers. Some might want to throw on earphone right away and start media-gorging. Others want to wait until later. As the host, check the pulse of the room. If the crowd is ready for other amusement, suggest and provide in the form of a board game, a movie, a route to go walking. Remember, the reason they are Media Swapping in the first place is a lust for new things and a 21st century short attention span.

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