Kevin at Powells:
I’ll be guest blogging over at Powells.com this week. So posting here may be on the light side.
I’ll be guest blogging over at Powells.com this week. So posting here may be on the light side.
On my mind this week…
*Seen at MacWorld this week…
*Roxio’s Boombox software lets you convert cassettes into mp3. Bought it.
*Parliant’s PhoneValet is an answering machine on steroids.
*Endicia lets you run a post office through your mac.
*The awesome DevonThink now has a best friend DevonAgent which lets you perform metasearches across the Intermaweb.
*Judge Alito appears headed for confirmation.
*Do magazines have a racial glass ceiling (via ArtsJournal)?
*Chuck Klosterman will be writing for ESPN.com once a month (via Justin).
*RIP Blockbuster Video (via Kottke.org).
*Hey Bostoners! The Brattle Theater needs your help (via Cinema Treasures).
*SXSW Baby is humming. Festival is T-minus 5 weeks and counting. I can’t wait.
For the first time since I left Austin in 2000, I’m able to stick around after SXSW Interactive for SXSW Music. In 2000, long before mp3 blogs or decent streaming technology or podcasts, you yanked the music preview for the festival out of the Austin Chronicle and guess which bands to see based on whether you had heard of them or whether you liked their name. Maybe you researched them on the Internet or at Waterloo Records first. It was a labor-intensive, sucky process.
No more. See You in the Pit is a grassroots mp3 blog exclusively devoted to artists playing the festival this year. It’s not affiliated with SXSW and contains tons of mp3s of bands slated to play.
Phat efficient. I’ve already signed up (via Large Hearted Boy).
Please send to chef and waiter friends.

Broken Flowers (2005): “Flowers, women, the color pink and Bill Murray staring straight ahead.”
Jason Kottke linked today to a site devoted to well designed book covers. I clicked and whatdya know?
To be in this kind of company just takes my breath away. Wow.
You seen the trailer for Date Movie?. I don’t have high hopes.
So Monday the NY Times broke the story that JT LeRoy is a big ole’ hoax. The London Telegraph has covered the story as has the SF Chronicle since LeRoy Inc. has their headquarters here. Writer Susie Bright talks about being one of the dupees on her blog.
I exchanged a few emails with this JT person when I the author Arthur Bradford (whom I knew from graduate school). I saw “JT” in one of his rare public appearances at Arthur’s reading that September at Booksmith. His assistant (whomever that was) sent me a racoon penis bone soon after.
I certainly didn’t have the kind of contact or relationship with “JT” that Ms. Bright did, or Ayelet Wadman (as she writes here) nor do I possess the kind of justifiable outrage San Francisco writer Violet Blue does, calling out LeRoy for exploiting a troubled past for fame and profit. I was just someone else, someone much less famous and connected, in his orbit.
Know what? In a perverted way, it felt good. It felt good. I feel pathetic even saying it but I was new in San Francisco, just starting to get my writerly legs and here was someone who hung out with Winona Ryder and Dave Eggers who wrote back, who said “hey thanks” who wanted to know what I was up to.
LeRoy never asked me for anything but I had nothing to give. In the rigid hierarches the hoax was built on, I was somewhere between penthouse and basement, not famous but not really a fan. I’d never read his books, never raved about how much I related to his story because I didn’t. I was taken in by someone who swore by the power of writing so much and wanted share a little with me.
When I look at the coverage (particularly in the Chronicle) of this whole ugly, sad mess, I can’t help but think of the Kaycee Nicole story, a blog of a fictional teen girl dying of lukemia, which was actually written by an adult woman playing her mother. The web’s brightest stars (including the huge-hearted John Halcyon Styn) were taken in by the story and devestated by its implosion. But the aftermath revealed a kind of junior high stratification of grief, where high profile bloggers had their grief magnified by their influence and how badly you felt reflected how close you were to the white, hot center of the then young blogosphere. I was new to blogging and knew nothing about it.
The list of folks wronged by the unveiling of JT LeRoy is long and distinguished, many of whom have very public forums to lay out their grief and outrage. Maybe I was lucky that LeRoy and company never wanted anything from me and thus, don’t feel gamed. A sad little part of me wishes (s)he had because maybe it would bespeak a level of notoriety or acheivement I didn’t know I had. But when I’m real, like in the case of Kaycee Nicole, I mostly feel bad that I couldn’t feel worse.
If you live in San Francisco, please see Duma at the Balboa. Duma is the little movie that could, given a death sentence by its studio as “uncommercial”, given respite by a great review from Roger Ebert and a handful of movie theatres that have stuck by it. Bravo to Gary Meyer and the Balboa for their support. Suzan and I went to a 2:40 Sunday show and the joint was packed.
Duma (Swahili for “cheetah”) is the story of a cheetah cub raised by a South African family. When Duma grows up, the son Xan decided to return him to the wild.
What follows is an adventure pretty much like The Black Stallion in reverse or Fly Away Home straight on(directed, like Duma, by Carol Ballard). These are all great films, beautifully photographed, about animals without being cutesy, “family friendly” without insulting their audiences.
I’ve been thinking about Duma all day. If I drove past the Balboa, I’d have trouble not buying a ticket. If you offered, I’d be out the door before you stopped speaking.
So see Duma. You will not be sorry. According to this review, it’s getting a wider release this Friday.
Plus Duma looks mad cool in a hat.