Back From Chicago:

I’m home: The Midwest Literary Festival is a charming festival in its third year, clearly with a lot of community goodwill. I had a great time at it but when asked how was my trip, I have to say, as Sinatra would have “Two shots of happy. One shot of sad.”

Sad:

*Hot: Had to be 95 degrees in Illinois that weekend. I come from a cold foggy part of the world now. Not used to this.

*Aurora: Way way further away from Chicago than I thought. Saturday night, I took the last train back and got stuck with a gang of Rolling Stones fans just out of a concert. I did not want to participate in the “You Can’t Always Get What You Want” singalong at 2 AM. No, I did not.

*Laptop: My laptop hard drive decided to fail on the plane ride over. Justin and I wasted half of Saturday afternoon at the Apple Store on Michigan Avenue trying to get it fixed, only to find out it was toast.

*Timing: I couldn’t have picked a worse weekend to come to town as almost all of my Chicagoland friends were either out of town, out of the country, or indisposed.

Happy:

*Festival. Much fun, nice people. Got to meet Melanie Lynn Hauser whom I know from Readerville and is lovely.

*Lunch with Julie Shapiro, director of the Third Coast Audio Festival, at the divine Lula Cafe. Julie is like a long lost cousin. We hit it of before we ever met.

*Seeing Justin, my college roommate and friend of 14 years.

*Benefiting from his theater expertise. Justin reviews theater for Chicagoist and is something of a local expert. Chicago being the greatest theater town in America, I try and take in a show when I’m town. Or 4.

This time around, we saw Daredevils, the new show by the Neo-Futurists. The Neo-Futurists are one of the most beloved troupes in town thanks to Too Much Light Makes the Baby Go Blind, a show where they do 30 plays in sixty minutes as selected by the audience who yells out their names of a “Play Menu.”

Daredevils is a loony meditation on why men do stupid things in the name of a rush. It’s one of the few plays I’ve seen where the actors ride tricycles up steep ramps and walk barefoot across glass.

Joy good fun and highly recommended. One super entertaining night at the theater.

Also saw Soundtrack City Chicago, a solo show by beatbox artist Yuri Lane, who I had seen perform once in San Francisco. Yuri plays 10 characters, all through sounds created in his throat. Think Eric Bogosian meets Kid Beyond. Each character illustrates something about contemporary Chicago, a city still kinda affordable for artists and freaky people, but gentifying quickly, a city with generations of families in the same neighborhoods but being circles like sharks by developers.

Short, powerful and way entertaining. Unlike anything you’ve quite seen before. See it post haste.

Local Business is not a Teddy Bear:

With Kepler’s Books closing last week after 50 years in business and a spirited conversation at Readerville about the role of independent bookselling against the cold truths of capitalism, what it means to survive as an independent retailer in 2005 has been on my mind lately. So I was particularly annoyed when I saw this piece in SFGate about Mod Lang, an institution for record collectors and music geeks based in Berkeley. Mod Lang is an independent music retailer specializing in “European imports and indies, classic and rare re-issues, contemporary U.S. indies, the latest in electronica, and music memorabilia.” According to the story, their top selling artists this week are The New Pornographers and The Lovemakers. They have an entire section devoted to 80s vinyl. Gives you an idea how much they care about catering to mass tastes.

That said, Mod Lang must still survive in perhaps the most brutal climate for music retailing in history. Tower Records has already filed for bankruptcy. Record labels are hemorrhaging money for reasons everybody knows. Downloading is not only rampant but painfully easy. The days when you needed to go to the “record store” to get music are long over.

So how does the scrappy Mod Lang stay afloat? The article says nothing. Not a word. Doesn’t mention how they pay their bills in one of the most expensive regions in the country, doesn’t mention what the store and its owners are doing to adapt, doesn’t breathe the word “iPod” at all.

Instead we get how the store began and where it got its name, what cool jobs former employees have and what rock stars shop there. It overlooks how Mod Lang manages to stay in business because, obviously, that’s a lot less sexy than the import Richard Hell bought there once.

I’m really tired of this, tired of this cloying, ignorant attitude towards the years of toil independent business people put into operations that are essentially labors of love. Small, local businesses are not teddy bears, not cute collectible baubles that will always be there when we need them. Most hang by the thinnest of threads, in a region, in an era, when they can vanish in an instant and all our loyalty, memories or good intentions don’t make a bean’s worth of difference. This can happen because they are businesses and this is capitalism and those are the rules. Business people know the rules and do their best to serve their customers, their community and assure themselves and their families some kind of future. They don’t exist in a vaccuum of our misty-eyed sympathies.

Their work and their struggle deserves our respect. Writing about Mod Lang and leaving out how it stays open, how it exists it a world that says it shouldn’t, is not just poor journalism. It reduces Mod Lang to a curiousity instead of the result of dedicated professionals. Must nuts and bolts always be postmordem like it was in the coverage of Kepler’s closing? That’s a deminution we who believe in local business can ill afford.

Last Katrina post of the day:

My friend Sarah points out that these asshats have declared that the citizens of New Orleans brought the wrath of Katrina upon themselves and that some Haliburton related subsidiary has been given the contract (no bid? Is that a question?) to clean up Louisiana’s naval bases. I’m going to scream.

Book Passage Benefit:

In related news, right here in Da Bay, Book Passage is holding a benefit for the victims and survivors of Hurricane Katrina. I quote from their blog

The event is set for this Friday, Sept. 9, at 7:00 pm. The suggested donation is $20 (but the organizers will gladly take more).

As of this writing, Amy Tan, Robert Olen Butler, Elizabeth Dewberry, Paul Loeb, Isabel Allende, Lalita Tademy, Ayelet Waldman, Jane Ganahl, Armistead Maupin, and Susanne Pari are all confirmed participants. More are certain to be added to the list, since Amy says that she will be seeing some other important authors later in the day (It is not easy to say no Amy Tan!). Each author will be asked to read a brief piece about New Orleans, about the disaster, or just about the state of the world. It promises to be a memorable evening.

Book Passage, Corde Madera location. Get your lit on for a good cause.

Jason Speaks it:

My friend Jason just lays it out about New Orleans, race poverty, and several new bankruptcy laws I didn’t know about which will make it twice as hard for the citizens of the devastation to get back on their financial feet.

Preach on, man. I can’t wait to see what kind of reprocussion this has on the White House. They have a load of explaining to do.

Book Passage Blog:

Book Passage, one of the Bay Area’s (and the nayshuns!) most respected independent bookstores has a new blog going, a “baby blog” if you will. I cribbed the phrase from Written Road, a travel writing blog put together by my friend Jen Leo who is much smarter about such things than I.